KAREN DALTON

„in my own time“

(Just Sunshine, 1971)

I don’t know why or how it came but I bought this album because it was popping up everywhere I looked suddenly. With the re-vival of Vashti Bunyan, Freak Folk roots, Devandra Banhart and Nick Cave naming Dalton as huge influences (a closer look at Dalton’s “Katie Cruel” and Cave’s “When I first came to town” puts Cave close to a copyright infringement..., though of course “Katie Cruel” is a traditional), and so on. Bob Dylan said something about her in his own unique Dylan-way, that nobody understood but it led to her records being re-released. The Band (another recent obsession of mine from the early days of rock music) wrote the song “Katies been gone” about her. And ever since I have been listening to these songs daily. Sometimes twice. Yeah, pr works and I am happy about it, this time around.

What is the magic of this record? I don’t know, I can only describe its effect: I feel warm all over when she sings the first lines of the first song on “In my own time” which is “something on your mind”, I get goosepumps when she turns into the otherwise non-descript “How sweet it is (to be loved by you)”, and so on. There are a hundred highlights and tension-points on these ten songs. The songs themselves, none of them written by Dalton by the way, she is a singer (and banjo player...) not a songwriter, range from deeply touching to outright superficial, but Karen Dalton adds her own emotional magic touch to them and lifts them higher than otherwise imaginable. Well, that’s it in a nutshell. But don’t underestimate this please, just listen to the way she turns an overused song like “When a man loves a woman” (undestroyable, Percy Sledge) into something new, exciting and different, and that effect still works more than 35 years later.

Musically, there are folk songs, blues songs with an almost rock touch, jazzy standards that are close to torchlight crooning (“Take Me”) and the latter ones are why I don’t agree with her nickname “the folksinger’s answer to Billy Holliday” because I find she is rather Nina Simone. They share the same unique nasal tone in the voice. Oh yeah, the voice. I guess her voice is the make or break point for new listeners. I can’t get enough of it these days. Some instantly say: put it off. What will they say about Anthony Haggerty in a few decades? Or Joanna Newsom? Her voice is jaded, like a siren at times, sometimes mushy, but able to reach notes in excellent phrasing, but most of all full of emotion and honest. When she sings, you believe her. She is filled with melancholy and glee in “when a man loves a woman”, desperate in “Katie Cruel”, chilly to the bone on “Take me” and something I cannot name in “something on your mind”. She sings softly, and therefore much stronger than other singers who sing really loud. Jesus, listening to this you start to think that Janis Joplin is nothing but a show off. (Not true, not true!!)

There are many legends and stories about Karen Dalton, about her roots (half Apachian), her drug abuse and how she loathed recording. That she brought her two kids, dog and horse along to studio recordings. If you are interested in that, search the internet, why would I need to rewrite that? One though: “In my own time” was Karen Dalton’s stab at the big time. Basically considered a pop-record by her folksy cast at the studio (produced by Harvey Brooks, who had just played bass on Dylan’s “Highway 61 revisited” – now there is another classic if you need one) it was nevertheless a jazz record, a blues record and a folk record as well. And it bombed, nobody wanted to buy it and nobody wanted to put up money for another record. That, the drugs and her personality brought about her unfortunate end in the Nineties, living on the streets of New York, lower front teeth missing, but people still describe her as a wonderful, clean person. Some say it is a wonder she kept on for so long, being a candle that burned on both sides. Here legacy is small but decisive and significant. Especially for being “just a singer”. “In my own time” is a document, a statement and an investment for life for the listener. I think I’ll take another round.
Coming up in this series: Dianogah - "millions of brazilians", White Circle Crime Club - "these are the secret sounds of fear", Madrugada - "the nightly disease", Jesus Lizard  - "Bang", Skull Kontrol  - "ZZZzzz....", Bob Marley and the Wailers - "Catch A Fire", The Doors - s/t, Cat Power - "Moon Pix", Public Enemy - "It takes a nation of millions to hold us back", Ali Farka Toure - "Savane", Quetzal - "the messenger lies bleeding", Rex Hobart & The Misery Boys - "Forever always ends", amm.