KOTRA & ZAVOLOKA

Untitled live (improves live jam at A&T trade shop, kyiv, Ukraine

CD, Nexsound Live Reports

Ukrainian noise has become a label of quality for me. And this new series on Nexsound proves that this is a mighty name also live. On the first issue there is Kotra providing the noise part with heavy electronics that range from subtle and fragile drones to vast and epic walls of sound, while Zavoloka does the mystical and intriguing side with her wonderful vocals and some folkloristic flute playing (and maybe some noise-stuff as well, I can’t really tell). During this 35 minute piece you will find all kinds of noise – from drone to white to power electronics to glitches and crackles – finely executed. Now quiet and listen.

Nexsound is not just a label for experimental noise – and a really fine one at that – it has also started to become a platform for likeminded artists to stage shows around the globe. What idea would be closer than documenting those live-events in a separate series of CDs, ergo NLR (Nexsound Live Reports). The first part of this series is a half-hour improvisational collaboration by two favourites on Nexsounds: Kotra aka Dmytro Federenko and Zavoloka aka Katya Zavoloka from a hometown gig in Kyiv, Ukraine, on 19th Febuary of 2005.

The mixture is completely fascinating and intriguing. On the one side there are the multi-faceted noise-sculptures by Kotra, who in this a little over 30 minutes pieces produces harsh noise structures, fragile drones, sharp blows of hi-frequencies and intricate glitches and crackles. In between Zavoloka rings her rich and blooming voice in a mixture of folklore and improvisation and blows melodies between folk and new age on a flute. And it is Zavolokas part that increases the scope of this release by introducing the most beautiful associations of ancient times, of vast castles – there is a lot of echo on her voice when singing that it sounds like a cathedral or the big hall of a castle in her first singing part, the second one has a sort of flanger on her singing – and peaceful hills with lush vegetation and the traditional shepherds and their stock prodding along with ease – a regular association whenever flutes are being played. Kotra puts down the contrapoint to these ideas and thoughts by destruction and deconstruction. It seems to me as if he took some of the sounds by Zavoloka live and perused and mutilated them right there on the spot.

The two go from harsh and brutal to beautiful and subtle in very little time. There are parts during this set which are of pristine beauty – e.g. around minute 20 when there are gentle plucking sounds mixed with a high-tone melody (what kind of flute is that?) – and other parts that will make you duck and cover. At times loud drones will stale the air but soon grow less painful, other times the most fragile of sounds hang loosely in the air. It is fascinating how many different things they will do in one set.

This series also includes performances of Andrey Kiritchenko, Alexei Borisov and a Violet / Kotra collaboration, which are already available as free mp3 downloads. The Kotra / Zavoloka here is the first to be released as a professional CD in due quality, but those others don’t sound bad to me as well. Those “proper” CDs are in a limited edition, so better hurry up. (Yes, when I start to like labels or producers of music or artists I completely lose all inhibitions to plug them as heavily and directly as possible. Nexsound has a really nice mailorder section, too. There you go.)

www.nexsound.org/nlr

11/2005