TV BUDDHAS – the golden period

(CD, Trost)

In the world of two-people bands nothing much counts but the energy and drive they put behind their music. This is what set e.g. Lightning Bolt, United Movement and (early) White Stripes apart from the mediocre rest of two-people bands (and especially that breed that plays instrumental noise rock and usually gets as boring as the third rerun of The Golden Girls, but I am disgressing.) If a two piece band has drive and energy, it can be great. And, in fact, this is what makes “the golden period” by the TV Buddhas such a great record. A driving, energetic piece of sometimes overconstructed noise rock with equal parts songwriting and chaos in the mix to make it outstanding. Yeah, that and the band hailing from Tel Aviv, Isreal.

Believe it or not there is a surprisingly big “scene” of alternative music of all kinds and varieties in the land of milk, honey and eternal warlike conflicts. That last democratic outpost in the arabian part of the world. Check out Kauders last release split on israel online label birdsong, if you don’t believe me. Over the last years I have heard everything from brutal power noise to pop ballads and heavy trash metal to epic progrock from there. I am yet to listen to the first hip hop posse from Israel, but that is probably a completely different story. “the golden period” being recorded in Tel Aviv, mixed in Seattle, Washington, and mastered in Vienna, Austria, makes it a perfect example for how the world is working today. Three continents involved. Music is being produced and distributed on smaller scales yet bigger dimensions. Gotta get with the program and believe it.

Back to TV Buddhas. Yes, the irony that they are making fun of the master of the only global religion that is not common in isreal did not evade me. I also noticed that the cover of their CD looks like the cover of a religious book from medieval times, with all the jewels and gold on top, yet with a mutilated rendition of “the shocker” in the central square. (If you have never heard of “the shocker” then google it. It is a nice internet meme, if there ever was one.) As usual, I just don’t feel about commenting much on religion because the concept itself goes against what I believe. If you insist: I believe in respect and tolerance and big amps to go with distorted guitars and heavy drums. That is my creed.

Their music itself is not in any way “oriental” or “isrealic”, if such a thing should exist, but as described above great goddamn noise rock. If you are looking for something exotic to fulfill your xenophilistic desires or to show your global mind, go and look somewhere else. (I’d recommend Sublime Frequencies, but that is a completely different story, then.) The TV Buddhas on the other hand rock. They compensate the limitations of drum and guitar by a great, full sound and, of course, some overdubs. Their songs build up from scratch and mostly work themselves in a rare kind of groove that is unique to TV Buddhas. Just take the aptly titles song “Buddha Rock” for instance to see what I mean. The drums do a funky 1/1 beat and the guitar plays a soft metal riff on top.

Regarding riffage, by the way, Mickey Triest, has evolved a very own style of playing. He’d probably give the same answer as King Buzzo when asked about his technique: “What technique? I just play.” But there is definitely something special going on. It is equal parts Thurston Moore for the various kinds of noise, Billy Childish for the reckless distortion and simplification, Kerry King for the complexity of riffs and that guy from Mountain for the lengthiness of riff-solos. What a crazy mix.

Summing up, “the golden period” is my personal noise rock favorite of the summer. I heard their live show in Vienna in front of a small but dedicated crowd brought out all kinds of excess, mayhem and smashed memories. Too bad I missed it. I have missed so many great things I have generally stopped being sad about missed chances, yet from time to time I feel I should have, even when I know I couldn’t have. But then, nobody ever said life was fair, right? Just listening to the last track on here, the weirdest und most un-melancholic song ever entitled “Going’ home”, usually a near-death ballad but here a weirdly jangling noise-blues with almost endless repetition, I start to understand. If you want to understand too, then you’d better listen yourself.

www.trost.at

07/2009