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TU M’ Just one
night CD, Dekorder
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The
idea of concept album is out and about widely in electronica and
experimental music but rarely ever is it executed in sich a consequently
and aboundingly obvious manner as with TU M’s “just one night”. That
and the intense focus on details awashed in textures are the main
attractions of this fine record. The night in description is one of lonely
contemplation, where time seems to stand still and slip by at the same
time. Time to ponder about the wonders the last day has brought and the
future will bring. A slow and silent moment of immobility and reflection,
and thereby a welcome and rare instance of being able to breathe for a
while. |
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If there was a possibility to stretch this music from
CD-length to eight hours I’d spend a night awake drifting through the
various moods soundtracking the change of image and vision the night offers.
I won’t follow the argument that condensing the stretch of nighttime into
less is an advantage for less time needed, because I am not generally
convinced that higher speed and efficiency are wholeheartedly good things.
If these tracks were recorded in just one night – which they were not –
the record probably would have been good only for one night. And even though
I can see the attraction of one night stands quite clearly – also knowing
that the essential part of a one night stand won’t last a lot longer than
this CD – I am also a person leaning towards the idea of a longlasting and
substantial relationship. Do you see how this seemingly rather superficial
issue of “one night” turns into a generous and relieving discussion of
matters of love and time. Could there be more philosophical issues
available? Of course, existence – but we might get to that later. The theme of “just one night” is carried through
with originality and distinction. Little things make up bigger things, like
the lonely saxophone in “Blue Blur” – a great take on the wee hours
and the “Coltrane plays the Blues”-atmosphere of late night getting
ready for rest – or the waves of low noise washing in on “the moon and
the sea”. And these bitparts and layers are being condensed into
atmospherically exciting and at the same time soothing aural textures. Of
course, it starts off a little more dynamic, settles down to the middle into
a looped mood that doesn’t care about time, and then gets off a little
stronger again when the sun comes up. This way there will be finely crafted
ambient noise drones as well as drifting and jingling electronica tracks. The song titles give it away: From “an afternoon in
the country” through “Rain in the streets” and “rain turning to
sleet” up to “Wake up Wake up” and finally of course “The first rays
of the sun” the music accompanies the listener through this special night.
It is therefore only logical that “Strange Sleep” should consist of an
adversely plucked acoustic guitar that is mixed to some organ and harmonica
sounds from the middle onwards and displays a subdued form of nervous
twitches. Or that the last track “First rays of the sun” is a dreamy
accumulation of strummer guitar chords with lots of echo and flanger on the
turned down amp. It isn’t at all hard to make up a story to go with
the music, but I am afraid it will be rather tedious to read if you ain’t
really really good at drawing the reader into your descriptions of inner
thoughts and moods. Music has an easier grip on people that way. “Just one night” might be the most easily
accessible album to be released on Dekorder yet, but no less fulfilling the
promise of experimental electronica that the servings by Black To Comm,
Matt Wand or Voks have made me
expect. This promise consist of executing an distinctive idea, maybe music
made with gameboys or from decoding colour filters via software, and thereby
presenting a pleasurable and enjoyable listening experience. For even if it
is art, what would it be worth if it doesn’t please your ganglias as well
as tickle them into movement. Some more label-talk: TU M’ are Emiliano Romanelli
and Rossano Polidoro, who also run the mp3-label TU M’P3, which provides
artists with pictures made by a webcam to produce some music to. Submitters
include Dälek, Sinistri, Joshua Treble,
TV Pow, Voks, Mitchell
Akiyama, Oren Ambarchi, FS Blumm, Greg Davis, Frans De Waard,
Donna Summer, Farmers Manual, Erik Friedlander, David Grubbs, Andrey Kiritchenko,
Cordell Klier,
Alan Licht, My
Jazzy Child, KK Null, Ghislain Poirier, Radian, Ned Rothenberg,
Scanner, si-cut.db,
Tonne, Un caddie renverse dans
le herbe, to name just those that strike a match in the Cracked
oven of warm welcome and are all well worth checking out. After all, if you
spend a night downloading these soundtracks, you’ll all ready have the
best aural ambience provider. |
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8/2005
