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TOTAL
SHUTDOWN / XBXRX Split 2x5” vinyl, Rock is Hell
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A
short, four-versed stint of hardcore noise rock with a slight twist
towards some artsy avantgarde free form and a duly heavy twist towards
psychotic drugs and speed. XBXRX is one heavy duty outfit of fast speed
noise, Total Shutdown is up to par with less speed and more crazyness.
Honestly, I wouldn’t be able to chose which one of the two bands I’d
want to spend three days closed in in a motel room together with. I’d
scratch through the walls to get out after a day and a half, I guess, no
matter what. But the music is great. If you are able to stomach it. But
this little gem offers more than that anyway. Do I make any sense? Read
on. |
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Complete and utter craziness, and yes, that’s the
way, a-ha a-ha, we like it. The second offering[1] from Viennese label extraordinaire Rock is Hell is
another beauty to behold, to hold and to listen to. Okay, so some people
will argue the sound-factor – not me, mind you – but everyone even my
aunt and nieces will have to admit the great production factor (and
collector value) of this double 5inch vinyl single and packaging. This one
folds out to about fifty centimeters and will place itself nicely in the
backshield area of your car or around your neck. The drawings are by Dennis
Tyfus. If you want to see more, check out www.denniytyfus.tk
Now, the music. The tracks on here are all from 2001, which I find a
little strange, but as far as I am able to tell the bands haven’t changed
that much. Total Shutdown act as if US Maple took some serious drugs (uups, that’s
not so far a stretch to imagine) and travelled back in time and from there
set off thinking they were actually Minor Threat. Including a saxophone for
broken down, destructed hardcore-noise seems only obvious as a next step.
The kiddie’s-piano is just another cherry on the topping. XBXRX are also
on the same pure unadulterated free form noise goes hardcore trip – think
about Sonic Youth
covering Nic Fit only a lot more derranged, a lot more – but with a deftly
infusion of juvenile energy. Though there is a lot of energy on both bands.
I guess, if you have to compress your outing into such a small format, you
might try to give it a little extra boost. The liner notes show a lot of interesting bitparts for
you collectors out there (as if the cover and format wouldn’t do,
sheesh…) Don Zientera and Ian MacKaye sitting in as engineers in the
legendary Inner Ear Studios only seems like another one of those balls that
fate or bad coincidences play you. The last name to be mentioned creeping up
on the liner notes is Weasel Walter, who did the mastering for XBXRX and
reminds me of the fact, that I wanted to find the “Revenge”-album by the
Flying Luttenbachers in my record collection but couldn’t find it. Yeah, it is a short stint of audio bliss and it is over
soon. The fitness factor shouldn’t be underestimated as well, with four
times getting up and changing or re-arranging the record to be listened to
in all its glory of a little over, well, maybe six to seven minutes. The
true reason d’etre for this little double-record to exist is a riddle
nevertheless, but one to be left unsolved and marvelled at rather than fed
into a computer and digitized, analyzed, scrutinized and then filed and
forgotten. If you are thinking now, that all of this seems completely
useless and senseless, you are completely right, but also completely besides
the point. Try to relax a little. The most important things on earth have no
use or sense, but a lot more value for that. There is ugly and evil
craziness abounding around us, so we need some beautiful and positive
craziness to fend of the dark side. That is what rockishell is for. Can you
sense the philosophical paradoxon within the labelname? [1] The first one of course was the great „rosl“-EP by Bulbul |
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7/2005
