VARIOUS – #50: so much achieved, so much left to do

(CD, 12rec)

When celebrating anniversaries such as the fiftieth release on their label most people would opt to do the extraordinary or to go way beyond the regular. Not so the fine folks from 12rec who do the regular. Mainly because until now they have opted to do the special and extracurricular with each of their forty-nine releases up to now, of which a lot have been featured on this website for specially that reason. From Electronica to postrock and from Hip Hop to singer / songwriter and from there to good old avantgarde and otherordly extremism, the wide spectrum of good music presented on 12rec was always the main appeal to check back to their online-store every few weeks. And usually there would be something new and great available. But also their innovative distribution idea of giving mp3s away for free and also offering special, handmade covers for physical CDs. Could that be an option for the sick music industry? Probably not due to scaleability and the creative commons licence they like to work with, but it shows what can be done. Anyway, after some years they resume with pride and a mission statement: so much achieved, so much left to do, and present their first regular digipak CD under that title, which compiles seventeen tracks by artists on and around the label and from all the styles they like.

The compilation features stacks of great electronica and postrock experimentalism. For some reason it seems that online-music-listeners / searches have a big liking for this kind of music, whoever knows why? Interestingly most of them are mixed with acoustic sounds especially by guitars as well. Neuf Meuf include telephone ringing sounds into their “Let The phone ring”. Daniel Maze is well known for his abilities to work strange sounds into fascinating songs and Ian D. Hagwood presents a transcending drone of humming notes and repeated piano chords with sparse noises here and there. And Konntinent start their track “Dust Cloud Superhero” with the words that probably define the whole musical vision of 12rec better than any other words: “Sunday afternoon”. That is even more condensed than a haiku! The track itself is a looming hum with ringing guitar notes picked and a little underwhelmed singing or talking. Very peaceful yet full of darkness.

Of singer-songwriters there are Nic Bommarito, even if he refuses to sing, but the humming and James Taylor like guitar chord progressions are enough reason for me to label him thus. The Sleeping Tree mix James Taylor melodies and arrangements with an emotionality that makes me wonder what would happen when they turned on the amps and distortion, that they probably would sound like The Weakerthans and could be rocking festivals in early afternoon sunlight. What a strange idea? And especially Werner Kitzmüller. The latter one collaborates with Alexandr Vatagin (of Tupolev) who is known to appear on all kinds of places, so he does on another track as well, “aus aktuellem Anlass” by Nicolas Bernier, which is a specially disturbing track of mixed electronic noise, glitches and clicks and a worried, political stampede of short sentences.

Which brings us to Hip Hop, and that is represented by German rappers “Sichtbeton” who once again proof that there is place for rapping besides gangsta stupidity and make-the-world-a-better-place pathos. Finally Plaistow and their wild piece of hard modern jazz should be mentioned. As with any compilation of that size, both in time and variation, it is impossible to give the necessary insight into its contents in a review. Especially when the compiling label is mainly characterised by issuing music that is hard to label or categorize. That and the constant high quality of the music and its personality are the main distinguishing factors of 12rec records. By the way, if that is your picture of the regular 12rec-listener on the label, let me tell you, that I find this kind of internet loneliness quite sexy and arousing.

www.12rec.net

09/2008