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SI-CUT.DB From tears:
beach archive CD, Bip Hop
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It is a beautiful morning, the sun is shinging through your hotel
room window, you hear the coastal wind playing with the leaves of the palm
trees and the sound of the waves washing onto the golden beach make a
wonderful background atmosphere to waking up relaxed. If it was possible
to pour this “perfect holiday” feeling into electronic music, you’d
get “from tears: beach archive” from si-cut.db.
A funky groove with straight 4/4-beats included, this record spells out
mellow days in big letters coloured gently blue. |
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The first warm days of a spring finally in full bloom,
so I was thinking, that I should get a gentle and laidback
electronica-record with funky yet avantgarde beats to get me through summer.
So “from tears: beach archive” came in at just the right time. And it is
not only the title that evokes images and metaphors richly analogous to
summertime, but also the flowing and driving, multi-textured soundscapes of Si-Cut.DB are
enhanced with straight, crunchy but never prepoisterous beats. There are
little noises buried into the synthie-ambiences and waves of frequencies
seem to hazily wash in and out of your hearing range. The feeling is
laid-back, somehow as if meditating, yet some basic rhythms and beats keep a
pulse going that is akin to the gentle moments when falling asleep. In “despite of, not because of” or
“authenticity” for instance, the clicks and cuts are worked so deeply
into the funky beat that what you get is a cool disco-beat for post-modern
dance-lounges in Ibiza or any other sunny coastal region of the world, where
people get together to have holiday, hang out and look good. All of that
mixed to some funky keyboard sounds, that’ll make you bang you head, yet
not too much. You wouldn’t want to spoil your mixed drink. Exceptions to
this are some ambient or rather microsound tracks that sit easy between the
tracks with a more exponated groove, and the crazy retro-keyboard excursion
“based on the lost episode” that evokes memories of Giorgo Moroders
stacks of million-dollar-synthies as well as title-themes of long gone
science fiction shows. But mainly it is delicately programmed beats with
noises and sounds flowing around them. Now isn’t that a long stretch for Douglas Benford aka
Si-Cut.DB to have panned? From one of the most interesting and progressive
poles of electronic music (Bip
Hop, Tennis)
to playing soft background music for slightly drunk and sunburned
premium-vacationers? What’s next – retro-lounge? Well, don’t worry, we
are still a far place from anything to happen that is tragic. The last album
by Tennis, “furlines”, might have given it away anyway quite a long time
beforehand. And actually, for most people this album will still be as far
away from their favorite hearing than his six solo albums and multiple
cooperational releases before. And maybe that is just what happened – while the
world turned onwards pretty quickly in the elctronic music scene (as it
always does) Benford was busy travelling the world, playing shows, curating
festivals, recording here and there and everywhere (with his laptop in his
backpack) that somehow the music seems to have gotten stuck in a time warp.
A beautiful, cosy and relaxing little bubble, very much like a luxurious
holiday ressort, to stay within the established frame of metaphors for this
review, but a place where nothing new is bound to happen and all the
excitement and exhilariation is relooped every fortnight, when the new
customers appear. And nowadays, in a world moving so fast and expanding so
tragically over night even, going on holiday just isn’t possible anymore,
if you catch my drift. In result “from tears: beach archive” is a great
record, but with an almost nostalgic feeling to it. Even when speaking out
the title of this CD, “from tears” somehow always transforms into
“frontiers”. So maybe it is just me, my short attention span, my
need for a relaxing summer holiday and my lack of interest, that makes me
turn to Droneament,
when I need some longwinding electronic ambient mixed with noises, or to Doghouse
when I like to listen to some homemade, and to Häpna, if I am looking for a
record label to write down the words to “avantgarde with a heart and a
mind” new. The most interesting thing might be, that inspite of all the
bad things I just wrote down about this record, I am planning on listening
to through this year’s summer. Because it has a special lightness, an
almost lucid tranquility and elusive quality that makes it good listening,
for instance while lying in the grass or on a sunbed watching the clouds go
by and imagining sitting at a beach and watching the sea for hours. Which is
something I like to do a lot. Maybe this year I can go without (I guess
I’ll have to, due to some reasons) but this record could make up for it. |
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4/2005
