INCAPACITANTS – burning orange

(CD, Pica)

Another month, another great release on picadisk, another legendary Japanese Noise outfit: the Incapacitants, who are Fumio Kosakai and T. Mikawa and who should really need no introduction, because they have been around for so long doing their thing so uncompromisingly, that their cult status is safely cemented within the rounds of noise freaks globally. It is also safe to say that Lasse Marhaug uses the All Ears Festival to lure all his favorite acts on a stage, where he then can direct collaborations and obtain recordings of their sets, which – having fully grasped the idea of synergy and value chains – he than may use to fuel his new label Picadisk. All for the greater good of mankind, of course. No, though that might sound cynic, at this point I am totally serious. The Incapacitants have only been to Europe to play shows once in the last 25 years, so thanks and thanks again for this event and the documentary of it. Also check the release for Hijokaidan, which measures the same sentiments.

The Incapacitants played one half hour set on January tweltfth 2007 and it is really hard to describe. The duo produces an impressive two-layer noise stream – each one of them on his own set of noise machinery – with some distorted screaming on top. It is a chaotic, ever changing, harsh and encompassing wall – or several walls – of noise that seem to be moving into all directions at once, and even though there is such a high dynamic within these noise floods, after several minutes of exposure the whole thing starts to sound, or rather feel because the sensory system will have changed to purely subconscious experiencing by then, very compact and dense. Either because the Incapacitants have started to fill all the holes and settled for a narrower range of frequencies than in the very open beginning, or because your brain has already melted down. Or a bit of both. The frenetically jumping and changing frequencies within the floods of power noise are a unique feature of the sound of the Incapacitants, and their task seems less like producing the music but rather trying to control or tame it.

On January thirteenth 2007 Tommi Keränen from Testicle Hazard (what a name, makes me cringe on reading already…) joined the Incapacitants on stage under the project disguise of Fumio Tommikawa – a moniker only the best versed visitors of the festival would have been able to decipher without closer help of the organizers. The roughly twenty minute set is also available on this disk in its full length. Its title, “out of schnaps”, ma give you a hint at the direction – it is like Incapacitants, but with another, just as harsh and uncompromising layer of noise. Due to a different recording technique, the sound is somewhat different on the two sets, but actually it doesn’t make much difference. Fumio Tommikawa start with about 30 to 60 seconds of low bass freak noises before getting a full blast on for almost twentyfive minutes. This set is probably more towards the bass end of frequencies, has less of the yelping, frantic high frequencies and seems more compact and dense white noise overall, but it is just as energetic, all-encompassing, no holds barred noise power as there will ever be.

The All Ears festival 2007 had other great artists on the bill as well, like Mats Gustaffson, Ikue Mori, Hild Sofie Tafjord, Campell Kneale aka Birchville Cat Motel and others. I haven’t been there but it is hard to imagine that anything else was able to stand up to this enormous blast of noise. Actually, I wonder if the hall the festival was held in is still standing. There is just one thing I wonder about: if such legends of improvised noise come to Europe for the second time in 25 years and spend two das playing half hour sets at a festival, what do they do with the rest of their time? I cannot imagine sensais Kosakai and Mikawa hanging about doing nothing at all just as I cannot imagine them going through the city taking snapshots of all the sights they come across. So what?

www.picadisk.com

02/2008