TORTOISEstandardsCD/LP, Thrill Jockey |
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| Every release by Tortoise is required listening for anybody interested in intelligent music, that is groundbreaking without being offensive or overtly radical. The revolution of “Standards”, as with any other release by this Supergroup from Chicago, lies within the textures and dynamic of sounds. Whose “standards” and do they measure correctly? So take a very close listen and clean the needle of your record-player carefully. | |
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That
Chicago-Supergroup has done it again, changing their style completely and
staying the same at the exact same point of time. “Standards”, the new
album of Tortoise, is filled with accomplished easy listening between
murky soap-opera-music on drugs to very postmodern and artish beat-based
tracks, with a few distorted guitars and electronic bleeps being thrown in
for good measure. Whatever seems to be oh so easily accessible at first,
suddenly shows its edges and corners, which makes this record easy to hear
and hard to listen to at the same time. The warm and soothing sound hides
the turbulences and agitations underneath the surface. But this is
something, that every good jazz-record should achieve, and this, in my
humble opinion, is where the title of the record comes from. Tortoise
deliver all originals, insofar the title of the record would be
misleading, especially if you link it to jazz. There is no “Shot and
chaser” on this record, nor any hint of “round midnight”. To try and
oppose what the traditional meaning of “standards” has become, is what
Tortoise might have had in mind, when aptly titling this record, and doing
it in such a way, that it takes some time to recognize and therefore plant
itself deeper into the listeners mind. Have you ever watched a young and
unknown band playing in a bar in front of drunken people on holidays?
These types always want to hear songs like “You are my sunshine” or
anything well-known by Elvis Presley but instantly leave for the toilet as
soon as someone says: “The next song was written by our bass-player.”
Now, Tortoise or any of the musicians in the band wouldn’t have that
problem. Not anymore, anyway, but there are similar reactions in crwods at
punk-concerts, jazz-concerts, discos or any other place. So what musicians
try to do, is to establish themselves, to bring their reputation up to a
certain point, where they don’t have to deal with audience-expectations
anymore (usually they still run after the money’s call and join the
media-industry to become content, but this is far away when talking about
Tortoise). It
is somehow analgous to thinking about human cloning. Maybe it boils down
to just a few basic questions – e.g. how much of the character of a
person is defined by the genes? Does god live? Is there a soul? – but
once you have reached that shore, you are stranded. And once you have
realised that you are stranded for good, life just might become a little
easier. The hard time, is the days and weeks in between. The time you
spend trying to figure out your sorroundings and your coordinates is a
very frustrating and complicated but also very important time. You settle
down, you regard other people as given and don’t try to change them
anymore, you ease down. And this is where the cycle closes with Tortoise
as the leading and closing end, constantly defining and redefing what the
standards are, if they have to be obeyed, what parameters are acceptable
and where the boundaries lie. |
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03/2001