BRUCE SPRINGSTEEN

The Rising

CD/LP, Columbia/Sony

Some things get better with age. Bruce Springsteen is slowly growing into the old, wise rockstar, who keeps on producing decent records without becoming a ludicrous oddity. In other words: “the rising” is closer to Willy DeVille than to Aerosmith. Has more in common with Ryan Adams than with Brian Adams. The guys from Glitterhouse should like this too. 15 simple, some blown-up (with full E-Street-Band for the first time since “Born in the USA”) but still very emotional songs about life, loneliness and broken hearts. Oddly enough, not a lot of cars. As Stephen King once said: “Nope, nothing wrong here.”

As a teenager I was a big big fan of “The Boss” and I guess that is something that nobody counts as juvenile misbehaviour (my short-lived fascination with Italian disco-music is something completely different, ehrm..) and as I am growing older I find that I still am. During my hardcore/punk-years I missed out on some records, but there were some really bad ones in between as well. Nowadays I would name “Darkness on the Edge of town”, “Nebraska” and maybe even “Greetings from Asbury Park” as my favourite Springsteen-albums. Yeah, I am a strange character. “the rising” falls into the first quarter I guess, because there are some tunes that won’t leave my head for weeks.

One of those is “Waitin’ on a sunny day”, which has accompanied me for some time now and really helped me a lot. Maybe you know this feeling: life is fucked up and your only chance to survive mentally sound is to keep a tune in your head to keep you from thinking. Years ago I was working in a stupid 10hours-a-days-job that was really exhausting, around me were only working-class-assholes but I needed to haul through the summer to make some money. I kept on revolving “Losing my religion” by REM in my head to keep me going. For hours and hours. Like in a trance. And that helped me. Last week was also really bad at my current job. I clocked in at 60 hours (not counting evening events) and it was “Waitin’ on a sunny day” in my head all day. (Another trick to help me, if work pisses me off for real, is to remind me that “It is a fun job, but it is still a job” (see Cypress Hill).) I guess, what I need is a truly pessimistic song with an uplifting melody and “Waitin’ on a sunny day” really has that, complete with a shuffling groove that comes straight from the last record by Willy DeVille (another grand old wise man).

It is still true that not a lot rockstars in this league have put the depression of everyday life as well into music as Bruce Springsteen. Even if the “edge of town” has changed into “further on up the road” or “Candy’s Room” into “Mary’s Place”, a song like “The Nothing Man” is still pure melancholia and sadness. Of course, playing with full band there is a lot tighter arrangement than for instance on Bob Dylans records. There are some especially well produced drum-sounds on here. Overall there is a whole variety of styles and arrangements on here. SAE-students will eat this one up. And then there are some Americana-Rockers (“Countin’ on a miracle”, “Lonesome Day”) as you would expect. Still the way Springsteen puts problems, heartaches and frustration into music translates through the whole western world (which is the key to his success). There are songs on “The rising” which will work well in stadiums while others will work really good in small clubs transcripted to one acoustic guitar but somehow this record makes me melancholic the whole way through. See, I dropped into bed yesterday smashed from a good dose of my favourite drink (“Gin South” of course) and the I woke up around seven am the next day. Now it is an hour later and the drawn out, sad tune of “Empty Sky” really fits the grey clouds that hang over Vienna outside.

I started thinking about the fireworkers fighting the floodings in some federal districts in Austria (the worst since ever they say) and wondered how they would spend the morning. Then I pondered if I should sample the oriental intro of “world’s apart” for some electronic music. I could turn that into something like Muslimgauze. Then I realised that I could be sitting here writing something about really interesting and modern music; about the new albums by Akufen, Flaming Lips, the Fight Club-compilation or Oxbow, which are all waiting on my shelf, but I find myself drawn to this record here much more. (See, I listen to records and if I find some thoughts creeping into my head that are good enough to be written down, to form a review and the time is right, then I sit down to write a review. This is the only way it should work, I am not getting paid to do this.) Is it just the time of day? Am I getting old? Is it the fact, that Bruce Springsteen is 60 years old now and still lives the live everybody wants to somehow? Or is it depression after an more than regularly exhausting week of work? I can’t say. But I will keep “The rising” close to my CD-player.

P.S.: A lot of thanks have to go out to Herwig for giving me this record as a birthday-present. You are my main man!

08/2002