CALEXICO

Feast of wire

CD/LP, City Slang

I bought my first album by “Herb Albert and the Tijuana Brass” two weeks ago at a thrift store for 2 Euros. Isn’t that the perfect way to spend the time until a new record by Calexico comes around? Except by listening to their old ones, of course. “Feast of Wire” is their fourth album and it leaves no wishes open, because it offers everything from “Sunken Waltzes” to “Dub Latina” and back. This is definitely the must-have-album for alternative country to have this quarter of the year.

Just like Massive Attacks “100th window” this album was also eagerly awaited by a lot of people, but unlike Massive Attacks Calexico rise up to the expectations in every minute. Maybe this is because Calexico are right on top of their hype at the moment and didn’t take five years time-out to return with a new album. But even then, their mix of country-music, Tex Mex, folk and singer/songwriter, with an unique jangly beat is timeless to say the least. They have their very own mixture that is both satisfying and disappointing expectations and prejudices about them (check out the skater-girl on the front-cover and the dead(?) man on the back-cover, now how does she fit into the whole Country / Tex-Mex-chili, I ask you?), and we didn’t expect anything less. Which makes “Feast of Wire” a perfect record, really.

Yesterday we watched an old movie with Johnny Depp (I love Johnny Depp, he is the coolest, cutest actor I know and he is a very good actor on top of that, who only plays in movies he wants to play in. If I ever see him play in something like “Mission Impossible” I’ll tore my posters from the wall and burn them…) and Marlon Brando called “The Brave”, where Johnny Depp plays an unemployed Indian who lives with his Mexican wife and two kids in a slum near a big trash-site. To provide for his family he agrees to be tortured to death by some strange business-types. At the same time a new company plans to tear down all the slums leaving all the people shelter- and homeless. The movie is all about the week before he walks into town to his miserable fate. It is actually a great movie, nothing like you’d expect to come from the US. Maybe if you liked “Lone Star” with Kris Kristofferson, this one is for you.

Well, somewhere in-between there is a strange fiesta, where Johnny Depp bought all kinds of stuff with the money he got upfront for his “new job”, mainly a playground for children, swimming pools and so on. There are all sorts of misfits and outcasts, Indians and Mexicans, a strange French dude in a torn smoking, a priest, and Iggy Pop gnawing on a giant ham’s leg. And some people are playing a mixture of Mexican music and avantgarde-stuff on two guitars. Everybody is drunk and dancing and not caring that world is going to end the next day. It is an almost surreal mixture of medieval market, post-apocalyptic drunken craziness and Mexican / Indian – drug-feast. I imagine that Calexico could play on that fiesta as well. The have the drunken waltzes and jangly country-tunes, the crazy latina-instrumentals, as well as the slow ballads with eerie tones that would perfectly end the fiesta and then also the instrumental interludes that would fit the grizzly cold night before the world ends.

“Feast of Wire” also has the great tunes that will stick in your head for quite some time. To add effectiveness they are all at the beginning of the album. “Quattro”, “Black Heart” and “Across the Wire” should be reason more than enough to get this album. I don’t see how a lot of people still regard Calexico as that side-project from the rhythm-group of Giant Sand. John Convertino and Joey Burns have proven by now that they are following down their very own vision, a vision of bringing their sense of place of their home-land – the nowhere land in the south of the United States of America close to the Mexican border, where people are poor and live life as if tomorrow never comes – into their music. And even though I am of the opinion that Howe Gelb (another Howe Gelb-link here) is a genius in his own right, I would never start to compare the two in any sort of ranking. Heavens, I am glad that bands as good as these exist. So, instead of thinking stupid thoughts, you’d better draw that bottle of whiskey, fill a cup and lean back in a darkened room to enjoy your very own soundtrack. Get some desert into your life.

www.casadecalexico.com

02/2003