BONNIE “PRINCE” BILLY
Master & everyoneLP/CD, Domino |
|
| “Love
me, the way I love you” sings Will Oldham in his fragile voice right at
the beginning, and you constantly want to hug him. His musical journey has
brought him a long way, now embracing Nick Drake in all his subdued might
and subtle power. Another silent and beautiful record about love, and all
the pains and joys involved with love. I cannot believe there is a soul
out there, turned so cold and hard that it will not be enlightend by this
record. |
|
|
Please,
don’t make the mistake to listen to this record other than wholeheartedly.
Don’t let it run in the background, dive into it with all your ears, heart
and mind. I am not sure if Will Oldham has ever made a record as silent,
introverted and beautiful as this one. The music is so understated and shy
it almost seems to hide in the record itself. So you have to make it come
out, you have to tease it with nice and positive feelings, try to shield it
from harm and unpleasant experiences, just like you would do to make a
little rabbit come out of its hiding. But if you manage to do so, you will
be rewarded with more than just beautiful music, but with deep insights into
the whole human existence. Or at least, human existence as seen by Will
Oldham himself. About how love is the most important thing of all, how man
should be servant to all and servant to none, how we live as wolves amongst
wolves. And if you do so, with the fifth song on “master and everyone”
you will fall into the chorus and hum along “joy & jubilee” because
life, after all, is beautiful. Yes,
it is true. Hidden within all these sad, very sad songs about lost love,
losing love and the inability to love, are the most euphoric moments of
beauty and joy. The Portuguese call it “duende”, I guess, which means
the portion of loss and pain every love-song has to contain, to really
become a beautiful love-song. Of course, to make this happen, a song or a
collection of song needs time and place to evolve, to breathe, to slowly
grow into a form mirroring life itself.1 But patience and giving
space are rare attributes or possibilities in our time, in which everything
has to go as fast as possible, as efficient as possible and as productive as
possible. That is why our time has no beauty and love anymore, and that is
why Will Oldham is such an outsider. Even
among those artists, constantly working on this vision of the love-song
(such as Nick Cave, PJ Harvey – who “even if love” is dedicated to -
The Tindersticks, almost every alt-country-act one way or another, and oh so
many others) Will Oldham has chosen an outsider-position. He casts himself
in mysteries, enhances the air of a weird, almost crazy genius, follows his
path without looking over his shoulder or checking his accounts. He has no
inhibitions to print the lyrics to the song “master and everyone” onto
the inner sleeve under the title of “Folk Song”. I am sure there are a
million interpretations to almost every line Will Oldham sings, and this
mystery is another reason for his fame. If fame it ever is. 1) The
knowledge about the love-song comes from a lecture Nick Cave held at the
Vienna School for Poetry, which was just released in a very recommendable
book about the school. Other parts are about Falco and Allen Ginsberg.
(Residenz Verlag, 2003) |
|
more about Will Oldham / Bonnie Billy / Palace:
essay about a "Bonnie Prince Billy" show
03/2003